🚚 Free Worldwide Shipping on All Orders!Shop Now
Tiffany Studios Good Neighbor Window
Good Neighbor Window
Tiffany Studios
Circa 1893
Tiffany Studio’s ecclesiastical windows were widely celebrated for their innovation, replacing traditional painted glass with radiant colors and textures that seemed to shimmer with divine light. This masterful example was designed by Frederick Wilson, one of the firm's most prolific and accomplished figural designers. Trained as a portraitist and cartoonist, Wilson drew on his encyclopedic knowledge of Old and New Testament iconography to create deeply expressive scenes like this one that evokes the call to compassion with vivid naturalism and emotive detail. Originally installed in Philadelphia’s Harriet Hollond Memorial Presbyterian Church, this work embodies Tiffany’s ability to bring symbolism to life in glass.
Inspired by Matthew 25:35, “I was thirsty, and ye gave me drink,” the scene embodies the moral essence of compassion and charity that defined Tiffany’s ecclesiastical commissions. A good neighbor offers water to a man in need, a gesture of goodwill rendered with striking naturalism. Wilson’s background as a portraitist is evident in the expressive faces, the intricate folds of drapery and the masterful use of glass to convey light and shadow across skin and fabric. Set against a backdrop of classical architecture, the figures are bathed in a warm, divine light that seems to emanate from within the glass itself. The combination of leaded, plated, mottled and drapery glass, several of which were developed by Tiffany Studios, reveals the studio’s technical brilliance.
Louis Comfort Tiffany stands as the preeminent figure in American decorative arts, whose techniques in stained glass revolutionized the medium and established an entirely distinct American aesthetic. Son of Charles Lewis Tiffany, founder of Tiffany & Co., Louis Comfort Tiffany rejected conventional painted glass in favor of his pioneering approach using multiple layers of colored and textured glass to achieve unprecedented naturalistic effects. His figural windows demonstrate his profound understanding of light as both medium and subject matter.
Tiffany's influence extended far beyond his lifetime, inspiring generations of artists and craftsmen while his works continue to set auction records—most recently in November 2024 when a Tiffany window achieved $12.4 million at Sotheby's, the highest price ever realized for any Tiffany Studios work. Today, his windows are treasured by the world's most prestigious institutions, including the Metropolitan Museum of Art, the Art Institute of Chicago and Crystal Bridges Museum of Art.
67 1/2" high x 38 1/4" wide
Literature:
Ford, Harry, A History of the Harriet Hollond Memorial Presbyterian Church of Philadelphia, Pennsylvania, p. 103
Provenance:
Harriet Hollond Memorial Presbyterian Church, Philadelphia, Pennsylvania
M.S. Rau, New Orleans
Tiffany Studios
Circa 1893
Tiffany Studio’s ecclesiastical windows were widely celebrated for their innovation, replacing traditional painted glass with radiant colors and textures that seemed to shimmer with divine light. This masterful example was designed by Frederick Wilson, one of the firm's most prolific and accomplished figural designers. Trained as a portraitist and cartoonist, Wilson drew on his encyclopedic knowledge of Old and New Testament iconography to create deeply expressive scenes like this one that evokes the call to compassion with vivid naturalism and emotive detail. Originally installed in Philadelphia’s Harriet Hollond Memorial Presbyterian Church, this work embodies Tiffany’s ability to bring symbolism to life in glass.
Inspired by Matthew 25:35, “I was thirsty, and ye gave me drink,” the scene embodies the moral essence of compassion and charity that defined Tiffany’s ecclesiastical commissions. A good neighbor offers water to a man in need, a gesture of goodwill rendered with striking naturalism. Wilson’s background as a portraitist is evident in the expressive faces, the intricate folds of drapery and the masterful use of glass to convey light and shadow across skin and fabric. Set against a backdrop of classical architecture, the figures are bathed in a warm, divine light that seems to emanate from within the glass itself. The combination of leaded, plated, mottled and drapery glass, several of which were developed by Tiffany Studios, reveals the studio’s technical brilliance.
Louis Comfort Tiffany stands as the preeminent figure in American decorative arts, whose techniques in stained glass revolutionized the medium and established an entirely distinct American aesthetic. Son of Charles Lewis Tiffany, founder of Tiffany & Co., Louis Comfort Tiffany rejected conventional painted glass in favor of his pioneering approach using multiple layers of colored and textured glass to achieve unprecedented naturalistic effects. His figural windows demonstrate his profound understanding of light as both medium and subject matter.
Tiffany's influence extended far beyond his lifetime, inspiring generations of artists and craftsmen while his works continue to set auction records—most recently in November 2024 when a Tiffany window achieved $12.4 million at Sotheby's, the highest price ever realized for any Tiffany Studios work. Today, his windows are treasured by the world's most prestigious institutions, including the Metropolitan Museum of Art, the Art Institute of Chicago and Crystal Bridges Museum of Art.
67 1/2" high x 38 1/4" wide
Literature:
Ford, Harry, A History of the Harriet Hollond Memorial Presbyterian Church of Philadelphia, Pennsylvania, p. 103
Provenance:
Harriet Hollond Memorial Presbyterian Church, Philadelphia, Pennsylvania
M.S. Rau, New Orleans
$30,975.00
Original: $88,500.00
-65%Tiffany Studios Good Neighbor Window—
$88,500.00
$30,975.00Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Good Neighbor Window
Tiffany Studios
Circa 1893
Tiffany Studio’s ecclesiastical windows were widely celebrated for their innovation, replacing traditional painted glass with radiant colors and textures that seemed to shimmer with divine light. This masterful example was designed by Frederick Wilson, one of the firm's most prolific and accomplished figural designers. Trained as a portraitist and cartoonist, Wilson drew on his encyclopedic knowledge of Old and New Testament iconography to create deeply expressive scenes like this one that evokes the call to compassion with vivid naturalism and emotive detail. Originally installed in Philadelphia’s Harriet Hollond Memorial Presbyterian Church, this work embodies Tiffany’s ability to bring symbolism to life in glass.
Inspired by Matthew 25:35, “I was thirsty, and ye gave me drink,” the scene embodies the moral essence of compassion and charity that defined Tiffany’s ecclesiastical commissions. A good neighbor offers water to a man in need, a gesture of goodwill rendered with striking naturalism. Wilson’s background as a portraitist is evident in the expressive faces, the intricate folds of drapery and the masterful use of glass to convey light and shadow across skin and fabric. Set against a backdrop of classical architecture, the figures are bathed in a warm, divine light that seems to emanate from within the glass itself. The combination of leaded, plated, mottled and drapery glass, several of which were developed by Tiffany Studios, reveals the studio’s technical brilliance.
Louis Comfort Tiffany stands as the preeminent figure in American decorative arts, whose techniques in stained glass revolutionized the medium and established an entirely distinct American aesthetic. Son of Charles Lewis Tiffany, founder of Tiffany & Co., Louis Comfort Tiffany rejected conventional painted glass in favor of his pioneering approach using multiple layers of colored and textured glass to achieve unprecedented naturalistic effects. His figural windows demonstrate his profound understanding of light as both medium and subject matter.
Tiffany's influence extended far beyond his lifetime, inspiring generations of artists and craftsmen while his works continue to set auction records—most recently in November 2024 when a Tiffany window achieved $12.4 million at Sotheby's, the highest price ever realized for any Tiffany Studios work. Today, his windows are treasured by the world's most prestigious institutions, including the Metropolitan Museum of Art, the Art Institute of Chicago and Crystal Bridges Museum of Art.
67 1/2" high x 38 1/4" wide
Literature:
Ford, Harry, A History of the Harriet Hollond Memorial Presbyterian Church of Philadelphia, Pennsylvania, p. 103
Provenance:
Harriet Hollond Memorial Presbyterian Church, Philadelphia, Pennsylvania
M.S. Rau, New Orleans
Tiffany Studios
Circa 1893
Tiffany Studio’s ecclesiastical windows were widely celebrated for their innovation, replacing traditional painted glass with radiant colors and textures that seemed to shimmer with divine light. This masterful example was designed by Frederick Wilson, one of the firm's most prolific and accomplished figural designers. Trained as a portraitist and cartoonist, Wilson drew on his encyclopedic knowledge of Old and New Testament iconography to create deeply expressive scenes like this one that evokes the call to compassion with vivid naturalism and emotive detail. Originally installed in Philadelphia’s Harriet Hollond Memorial Presbyterian Church, this work embodies Tiffany’s ability to bring symbolism to life in glass.
Inspired by Matthew 25:35, “I was thirsty, and ye gave me drink,” the scene embodies the moral essence of compassion and charity that defined Tiffany’s ecclesiastical commissions. A good neighbor offers water to a man in need, a gesture of goodwill rendered with striking naturalism. Wilson’s background as a portraitist is evident in the expressive faces, the intricate folds of drapery and the masterful use of glass to convey light and shadow across skin and fabric. Set against a backdrop of classical architecture, the figures are bathed in a warm, divine light that seems to emanate from within the glass itself. The combination of leaded, plated, mottled and drapery glass, several of which were developed by Tiffany Studios, reveals the studio’s technical brilliance.
Louis Comfort Tiffany stands as the preeminent figure in American decorative arts, whose techniques in stained glass revolutionized the medium and established an entirely distinct American aesthetic. Son of Charles Lewis Tiffany, founder of Tiffany & Co., Louis Comfort Tiffany rejected conventional painted glass in favor of his pioneering approach using multiple layers of colored and textured glass to achieve unprecedented naturalistic effects. His figural windows demonstrate his profound understanding of light as both medium and subject matter.
Tiffany's influence extended far beyond his lifetime, inspiring generations of artists and craftsmen while his works continue to set auction records—most recently in November 2024 when a Tiffany window achieved $12.4 million at Sotheby's, the highest price ever realized for any Tiffany Studios work. Today, his windows are treasured by the world's most prestigious institutions, including the Metropolitan Museum of Art, the Art Institute of Chicago and Crystal Bridges Museum of Art.
67 1/2" high x 38 1/4" wide
Literature:
Ford, Harry, A History of the Harriet Hollond Memorial Presbyterian Church of Philadelphia, Pennsylvania, p. 103
Provenance:
Harriet Hollond Memorial Presbyterian Church, Philadelphia, Pennsylvania
M.S. Rau, New Orleans
