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Portrait of Emilienne Le Roy by Giovanni Boldini
Giovanni Boldini
1842-1931 | Italian
Portrait of Emilienne Le Roy
Oil on canvas
A dazzling display of Giovanni Boldiniâs signature style, Portrait of Emilienne Le Roy captures the essence of Belle Ăpoque elegance. Boldini, known as the âMaster of the Swish,â infused his portraits with movement, vitality and an unparalleled sense of grandeur. Painted in 1913, this portrait embodies the grace and dynamism that made Boldini the most sought-after portraitist in Parisian high society.
Rendered in Boldiniâs unmistakable fluid strokes, the portrait pulses with energy, as though caught in a fleeting moment of motion. His characteristic loose, swirling brushwork lends an ethereal quality, while the play of light across the figure enhances Le Royâs presence. Her elegant pose, draped in flowing fabrics, epitomizes the aristocratic glamour of pre-war Paris. Boldiniâs ability to merge realism with impressionistic dynamism is fully realized in this composition, showcasing why his work remains unparalleled in the canon of portraiture.
Boldini was the premier portraitist of the Belle Ăpoque, capturing the eraâs most famous figures, from the Marchesa Casati to the Duchess of Marlborough. Emilienne Le Roy (1894â1980) was among the select Parisian socialites who vied for the privilege of sitting for him. His portraits, treasured for their vivacious energy and modern spirit, have been collected by the worldâs most prestigious museums, including the Boldini Museum in Ferrara, the Metropolitan Museum of Art, the Art Institute of Chicago and the Petit Palais in Paris, which recently hosted a major retrospective of his work.
Painted 1913
Canvas:Â 37 5/8" high x 27 3/4" wide (9557 x 70.49 cm)
Framed: 47 1/4" high x 37 1/2" wide x 3" deep (120.02 x 95.25 x 7.62 cm)
View the Dossier
This painting was exhibited at The European Fine Art Fair.
Provenance:
Artistâs studio (inventory no. 29T)
Emilia Cardona Boldini (widow of the artist)
Tino Rossi
Private collection, Milan
M.S. Rau, New Orleans
Literature:
C.L. Ragghianti, E. Camesasca, L'Opera completa di Boldini, Rizzoli Editore, Milan, 1970, no. 512, reproduced in black and white, p. 128.
T. Panconi, Giovanni Boldini. The complete work (General catalogue raisonné), Edifir, Florence 2002, p. 551
P. Dini, F. Dini, Giovanni Boldini. 1842-1931. Catalogue raisonné, Allemandi, Turin 2002, vol. IV, p. 546, n. 1058
Giovanni Boldini. General catalogue from the Boldini archives, edited by B. Doria, Rizzoli, Milan 2000, n. 620
Exhibited:
Boldini: The Genius of Line, the Magic of Color, Campobasso, November 27, 2021 â April 18, 2022
Femme Fatale: The Female Figure in the Belle Ăpoque, Between Archetype and Emancipation, Montichiari, NovemberâDecember 2022
1842-1931 | Italian
Portrait of Emilienne Le Roy
Oil on canvas
A dazzling display of Giovanni Boldiniâs signature style, Portrait of Emilienne Le Roy captures the essence of Belle Ăpoque elegance. Boldini, known as the âMaster of the Swish,â infused his portraits with movement, vitality and an unparalleled sense of grandeur. Painted in 1913, this portrait embodies the grace and dynamism that made Boldini the most sought-after portraitist in Parisian high society.
Rendered in Boldiniâs unmistakable fluid strokes, the portrait pulses with energy, as though caught in a fleeting moment of motion. His characteristic loose, swirling brushwork lends an ethereal quality, while the play of light across the figure enhances Le Royâs presence. Her elegant pose, draped in flowing fabrics, epitomizes the aristocratic glamour of pre-war Paris. Boldiniâs ability to merge realism with impressionistic dynamism is fully realized in this composition, showcasing why his work remains unparalleled in the canon of portraiture.
Boldini was the premier portraitist of the Belle Ăpoque, capturing the eraâs most famous figures, from the Marchesa Casati to the Duchess of Marlborough. Emilienne Le Roy (1894â1980) was among the select Parisian socialites who vied for the privilege of sitting for him. His portraits, treasured for their vivacious energy and modern spirit, have been collected by the worldâs most prestigious museums, including the Boldini Museum in Ferrara, the Metropolitan Museum of Art, the Art Institute of Chicago and the Petit Palais in Paris, which recently hosted a major retrospective of his work.
Painted 1913
Canvas:Â 37 5/8" high x 27 3/4" wide (9557 x 70.49 cm)
Framed: 47 1/4" high x 37 1/2" wide x 3" deep (120.02 x 95.25 x 7.62 cm)
View the Dossier
This painting was exhibited at The European Fine Art Fair.
Provenance:
Artistâs studio (inventory no. 29T)
Emilia Cardona Boldini (widow of the artist)
Tino Rossi
Private collection, Milan
M.S. Rau, New Orleans
Literature:
C.L. Ragghianti, E. Camesasca, L'Opera completa di Boldini, Rizzoli Editore, Milan, 1970, no. 512, reproduced in black and white, p. 128.
T. Panconi, Giovanni Boldini. The complete work (General catalogue raisonné), Edifir, Florence 2002, p. 551
P. Dini, F. Dini, Giovanni Boldini. 1842-1931. Catalogue raisonné, Allemandi, Turin 2002, vol. IV, p. 546, n. 1058
Giovanni Boldini. General catalogue from the Boldini archives, edited by B. Doria, Rizzoli, Milan 2000, n. 620
Exhibited:
Boldini: The Genius of Line, the Magic of Color, Campobasso, November 27, 2021 â April 18, 2022
Femme Fatale: The Female Figure in the Belle Ăpoque, Between Archetype and Emancipation, Montichiari, NovemberâDecember 2022
$309,750.00
Original: $885,000.00
-65%Portrait of Emilienne Le Roy by Giovanni Boldiniâ
$885,000.00
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Description
Giovanni Boldini
1842-1931 | Italian
Portrait of Emilienne Le Roy
Oil on canvas
A dazzling display of Giovanni Boldiniâs signature style, Portrait of Emilienne Le Roy captures the essence of Belle Ăpoque elegance. Boldini, known as the âMaster of the Swish,â infused his portraits with movement, vitality and an unparalleled sense of grandeur. Painted in 1913, this portrait embodies the grace and dynamism that made Boldini the most sought-after portraitist in Parisian high society.
Rendered in Boldiniâs unmistakable fluid strokes, the portrait pulses with energy, as though caught in a fleeting moment of motion. His characteristic loose, swirling brushwork lends an ethereal quality, while the play of light across the figure enhances Le Royâs presence. Her elegant pose, draped in flowing fabrics, epitomizes the aristocratic glamour of pre-war Paris. Boldiniâs ability to merge realism with impressionistic dynamism is fully realized in this composition, showcasing why his work remains unparalleled in the canon of portraiture.
Boldini was the premier portraitist of the Belle Ăpoque, capturing the eraâs most famous figures, from the Marchesa Casati to the Duchess of Marlborough. Emilienne Le Roy (1894â1980) was among the select Parisian socialites who vied for the privilege of sitting for him. His portraits, treasured for their vivacious energy and modern spirit, have been collected by the worldâs most prestigious museums, including the Boldini Museum in Ferrara, the Metropolitan Museum of Art, the Art Institute of Chicago and the Petit Palais in Paris, which recently hosted a major retrospective of his work.
Painted 1913
Canvas:Â 37 5/8" high x 27 3/4" wide (9557 x 70.49 cm)
Framed: 47 1/4" high x 37 1/2" wide x 3" deep (120.02 x 95.25 x 7.62 cm)
View the Dossier
This painting was exhibited at The European Fine Art Fair.
Provenance:
Artistâs studio (inventory no. 29T)
Emilia Cardona Boldini (widow of the artist)
Tino Rossi
Private collection, Milan
M.S. Rau, New Orleans
Literature:
C.L. Ragghianti, E. Camesasca, L'Opera completa di Boldini, Rizzoli Editore, Milan, 1970, no. 512, reproduced in black and white, p. 128.
T. Panconi, Giovanni Boldini. The complete work (General catalogue raisonné), Edifir, Florence 2002, p. 551
P. Dini, F. Dini, Giovanni Boldini. 1842-1931. Catalogue raisonné, Allemandi, Turin 2002, vol. IV, p. 546, n. 1058
Giovanni Boldini. General catalogue from the Boldini archives, edited by B. Doria, Rizzoli, Milan 2000, n. 620
Exhibited:
Boldini: The Genius of Line, the Magic of Color, Campobasso, November 27, 2021 â April 18, 2022
Femme Fatale: The Female Figure in the Belle Ăpoque, Between Archetype and Emancipation, Montichiari, NovemberâDecember 2022
1842-1931 | Italian
Portrait of Emilienne Le Roy
Oil on canvas
A dazzling display of Giovanni Boldiniâs signature style, Portrait of Emilienne Le Roy captures the essence of Belle Ăpoque elegance. Boldini, known as the âMaster of the Swish,â infused his portraits with movement, vitality and an unparalleled sense of grandeur. Painted in 1913, this portrait embodies the grace and dynamism that made Boldini the most sought-after portraitist in Parisian high society.
Rendered in Boldiniâs unmistakable fluid strokes, the portrait pulses with energy, as though caught in a fleeting moment of motion. His characteristic loose, swirling brushwork lends an ethereal quality, while the play of light across the figure enhances Le Royâs presence. Her elegant pose, draped in flowing fabrics, epitomizes the aristocratic glamour of pre-war Paris. Boldiniâs ability to merge realism with impressionistic dynamism is fully realized in this composition, showcasing why his work remains unparalleled in the canon of portraiture.
Boldini was the premier portraitist of the Belle Ăpoque, capturing the eraâs most famous figures, from the Marchesa Casati to the Duchess of Marlborough. Emilienne Le Roy (1894â1980) was among the select Parisian socialites who vied for the privilege of sitting for him. His portraits, treasured for their vivacious energy and modern spirit, have been collected by the worldâs most prestigious museums, including the Boldini Museum in Ferrara, the Metropolitan Museum of Art, the Art Institute of Chicago and the Petit Palais in Paris, which recently hosted a major retrospective of his work.
Painted 1913
Canvas:Â 37 5/8" high x 27 3/4" wide (9557 x 70.49 cm)
Framed: 47 1/4" high x 37 1/2" wide x 3" deep (120.02 x 95.25 x 7.62 cm)
View the Dossier
This painting was exhibited at The European Fine Art Fair.
Provenance:
Artistâs studio (inventory no. 29T)
Emilia Cardona Boldini (widow of the artist)
Tino Rossi
Private collection, Milan
M.S. Rau, New Orleans
Literature:
C.L. Ragghianti, E. Camesasca, L'Opera completa di Boldini, Rizzoli Editore, Milan, 1970, no. 512, reproduced in black and white, p. 128.
T. Panconi, Giovanni Boldini. The complete work (General catalogue raisonné), Edifir, Florence 2002, p. 551
P. Dini, F. Dini, Giovanni Boldini. 1842-1931. Catalogue raisonné, Allemandi, Turin 2002, vol. IV, p. 546, n. 1058
Giovanni Boldini. General catalogue from the Boldini archives, edited by B. Doria, Rizzoli, Milan 2000, n. 620
Exhibited:
Boldini: The Genius of Line, the Magic of Color, Campobasso, November 27, 2021 â April 18, 2022
Femme Fatale: The Female Figure in the Belle Ăpoque, Between Archetype and Emancipation, Montichiari, NovemberâDecember 2022




















