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A Classical Beauty in Profile by John William Godward
John William Godward
1861-1922 | British
A Classical Beauty in Profile
Signed "J.W. Godward" (center right)
Oil on canvas
An extraordinary portrait by John William Godward, A Classical Beauty in Profile embodies his renowned style. Celebrated as one of the most important Neoclassical painters at the turn of the century, Godward's career was devoted to a style of Classicism known as the "Marble School," which rendered Greco-Roman beauties in their exquisite architectural settings.
Draped in a golden tunic, Godward's signature beauty is caught in a moment of quiet reverie. His exceptional talent for color and texture is on full display, with each element of the composition rendered with a supreme, naturalistic finish. This work also centers one of Godward's favorite models, an Italian beauty who also posed for a similar portrait the same year, entitled The Engagement Ring. Embodying the essence of "peace, feminine charm and ideal perfection" that art historian Vern Grosvenor Swanson identified in Godward's best works, this painting is a masterpiece.
Raised in Wimbledon, England, Godward debuted at Londonās Royal Academy exhibition in 1887. By the subsequent decade, the burgeoning artist was on a steady ascent to artistic success. Having fallen under the influence of British Neoclassical Revivalists Sir Lawrence Alma-Tadema, Lord Frederic Leighton, and Sir Edward John Poynter, Godward quickly rivaled their style. The sensuality and mystery of Godwardās maidens, combined with his impressive backdrops, attracted fans across Europe and sent Godward on a rapid ascent to artistic stardom.
In 1889, he was elected to the Royal Society of British Artists. Ten years later, Godward debuted at the Parisian Salon of 1899, where again he was heaped with praise. He moved to Rome in 1912 to surround himself with the physical remnants of the classical world, and there he stayed for the major part of his remaining career. Today, his works belong to prestigious collections worldwide, including the Getty Museum and the Manchester Art Gallery.
Circa 1888
Canvas: 24 3/8ā high x 19 3/8ā wide (61.79 x 49.09 cm)
Frame: 37ā high x 32ā wide x 4 1/4ā deep (93.98 x 81.28 x 10.80 cm)
Provenance:
Private collection, United States
Anonymous sale, Christie's New York, 22 October 1997, lot 72
Private collection, acquired at the above sale
Private collection, New York
M.S. Rau, New Orleans
Literature:
Vern Grosvenor Swanson, John William Godward: The Eclipse of Classicism, London, 1997, p. 173, no. 1 (illustrated)
1861-1922 | British
A Classical Beauty in Profile
Signed "J.W. Godward" (center right)
Oil on canvas
An extraordinary portrait by John William Godward, A Classical Beauty in Profile embodies his renowned style. Celebrated as one of the most important Neoclassical painters at the turn of the century, Godward's career was devoted to a style of Classicism known as the "Marble School," which rendered Greco-Roman beauties in their exquisite architectural settings.
Draped in a golden tunic, Godward's signature beauty is caught in a moment of quiet reverie. His exceptional talent for color and texture is on full display, with each element of the composition rendered with a supreme, naturalistic finish. This work also centers one of Godward's favorite models, an Italian beauty who also posed for a similar portrait the same year, entitled The Engagement Ring. Embodying the essence of "peace, feminine charm and ideal perfection" that art historian Vern Grosvenor Swanson identified in Godward's best works, this painting is a masterpiece.
Raised in Wimbledon, England, Godward debuted at Londonās Royal Academy exhibition in 1887. By the subsequent decade, the burgeoning artist was on a steady ascent to artistic success. Having fallen under the influence of British Neoclassical Revivalists Sir Lawrence Alma-Tadema, Lord Frederic Leighton, and Sir Edward John Poynter, Godward quickly rivaled their style. The sensuality and mystery of Godwardās maidens, combined with his impressive backdrops, attracted fans across Europe and sent Godward on a rapid ascent to artistic stardom.
In 1889, he was elected to the Royal Society of British Artists. Ten years later, Godward debuted at the Parisian Salon of 1899, where again he was heaped with praise. He moved to Rome in 1912 to surround himself with the physical remnants of the classical world, and there he stayed for the major part of his remaining career. Today, his works belong to prestigious collections worldwide, including the Getty Museum and the Manchester Art Gallery.
Circa 1888
Canvas: 24 3/8ā high x 19 3/8ā wide (61.79 x 49.09 cm)
Frame: 37ā high x 32ā wide x 4 1/4ā deep (93.98 x 81.28 x 10.80 cm)
Provenance:
Private collection, United States
Anonymous sale, Christie's New York, 22 October 1997, lot 72
Private collection, acquired at the above sale
Private collection, New York
M.S. Rau, New Orleans
Literature:
Vern Grosvenor Swanson, John William Godward: The Eclipse of Classicism, London, 1997, p. 173, no. 1 (illustrated)
$86,975.00
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$248,500.00
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Description
John William Godward
1861-1922 | British
A Classical Beauty in Profile
Signed "J.W. Godward" (center right)
Oil on canvas
An extraordinary portrait by John William Godward, A Classical Beauty in Profile embodies his renowned style. Celebrated as one of the most important Neoclassical painters at the turn of the century, Godward's career was devoted to a style of Classicism known as the "Marble School," which rendered Greco-Roman beauties in their exquisite architectural settings.
Draped in a golden tunic, Godward's signature beauty is caught in a moment of quiet reverie. His exceptional talent for color and texture is on full display, with each element of the composition rendered with a supreme, naturalistic finish. This work also centers one of Godward's favorite models, an Italian beauty who also posed for a similar portrait the same year, entitled The Engagement Ring. Embodying the essence of "peace, feminine charm and ideal perfection" that art historian Vern Grosvenor Swanson identified in Godward's best works, this painting is a masterpiece.
Raised in Wimbledon, England, Godward debuted at Londonās Royal Academy exhibition in 1887. By the subsequent decade, the burgeoning artist was on a steady ascent to artistic success. Having fallen under the influence of British Neoclassical Revivalists Sir Lawrence Alma-Tadema, Lord Frederic Leighton, and Sir Edward John Poynter, Godward quickly rivaled their style. The sensuality and mystery of Godwardās maidens, combined with his impressive backdrops, attracted fans across Europe and sent Godward on a rapid ascent to artistic stardom.
In 1889, he was elected to the Royal Society of British Artists. Ten years later, Godward debuted at the Parisian Salon of 1899, where again he was heaped with praise. He moved to Rome in 1912 to surround himself with the physical remnants of the classical world, and there he stayed for the major part of his remaining career. Today, his works belong to prestigious collections worldwide, including the Getty Museum and the Manchester Art Gallery.
Circa 1888
Canvas: 24 3/8ā high x 19 3/8ā wide (61.79 x 49.09 cm)
Frame: 37ā high x 32ā wide x 4 1/4ā deep (93.98 x 81.28 x 10.80 cm)
Provenance:
Private collection, United States
Anonymous sale, Christie's New York, 22 October 1997, lot 72
Private collection, acquired at the above sale
Private collection, New York
M.S. Rau, New Orleans
Literature:
Vern Grosvenor Swanson, John William Godward: The Eclipse of Classicism, London, 1997, p. 173, no. 1 (illustrated)
1861-1922 | British
A Classical Beauty in Profile
Signed "J.W. Godward" (center right)
Oil on canvas
An extraordinary portrait by John William Godward, A Classical Beauty in Profile embodies his renowned style. Celebrated as one of the most important Neoclassical painters at the turn of the century, Godward's career was devoted to a style of Classicism known as the "Marble School," which rendered Greco-Roman beauties in their exquisite architectural settings.
Draped in a golden tunic, Godward's signature beauty is caught in a moment of quiet reverie. His exceptional talent for color and texture is on full display, with each element of the composition rendered with a supreme, naturalistic finish. This work also centers one of Godward's favorite models, an Italian beauty who also posed for a similar portrait the same year, entitled The Engagement Ring. Embodying the essence of "peace, feminine charm and ideal perfection" that art historian Vern Grosvenor Swanson identified in Godward's best works, this painting is a masterpiece.
Raised in Wimbledon, England, Godward debuted at Londonās Royal Academy exhibition in 1887. By the subsequent decade, the burgeoning artist was on a steady ascent to artistic success. Having fallen under the influence of British Neoclassical Revivalists Sir Lawrence Alma-Tadema, Lord Frederic Leighton, and Sir Edward John Poynter, Godward quickly rivaled their style. The sensuality and mystery of Godwardās maidens, combined with his impressive backdrops, attracted fans across Europe and sent Godward on a rapid ascent to artistic stardom.
In 1889, he was elected to the Royal Society of British Artists. Ten years later, Godward debuted at the Parisian Salon of 1899, where again he was heaped with praise. He moved to Rome in 1912 to surround himself with the physical remnants of the classical world, and there he stayed for the major part of his remaining career. Today, his works belong to prestigious collections worldwide, including the Getty Museum and the Manchester Art Gallery.
Circa 1888
Canvas: 24 3/8ā high x 19 3/8ā wide (61.79 x 49.09 cm)
Frame: 37ā high x 32ā wide x 4 1/4ā deep (93.98 x 81.28 x 10.80 cm)
Provenance:
Private collection, United States
Anonymous sale, Christie's New York, 22 October 1997, lot 72
Private collection, acquired at the above sale
Private collection, New York
M.S. Rau, New Orleans
Literature:
Vern Grosvenor Swanson, John William Godward: The Eclipse of Classicism, London, 1997, p. 173, no. 1 (illustrated)
